Month: November 2025

November 19, 2025 In a candid conversation with AMFM Magazine’s Paul Salfen, Tessa Thompson opens up about starring in and executive producing Hedda, Nia DaCosta’s bold modern reimagining of Henrik Ibsen’s classic Hedda Gabler. The film, which has been generating serious awards-season buzz, marks a deeply personal return to Thompson’s theatrical roots while showcasing her
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By Paul Salfen AMFM Magazine After nearly a decade in the making, Pixar veteran Alex Woo’s passion project In Your Dreams finally arrived on Netflix on November 14, 2025 (following a limited theatrical run beginning November 7). The charming animated adventure follows siblings Stevie (Jolie Hoang-Rappaport) and Elliot (Elias Janssen) as they plunge into the
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By Paul Salfen, AMFM Magazine As awards season reaches fever pitch, one name is on everyone’s lips: Jessie Buckley. Her shattering, emotionally raw performance as Agnes—the grieving mother at the heart of Chloé Zhao’s Hamnet—has generated massive Oscar buzz, with critics and analysts already calling Buckley the frontrunner for Best Actress and, in many predictions,
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By Paul Salfen, AMFM Magazine In a lively and heartfelt conversation, identical twins Melissa and Michelle Macedo opened up about their bold new psychological body horror film Thinestra — a project where they not only star as lead character Penny and her grotesque doppelgänger but also serve as producers and composers of the haunting score.
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World Premiere at AFI FEST 2024 By Paul Salfen for AMFM Magazine There’s a moment in JUNKIE when Rocky Shay’s Stevie—freshly escaped from yet another rehab, barefoot, broke, and vibrating on meth—looks straight into the camera and grins like the world owes her a good time. It’s chaotic, it’s messy, it’s heartbreaking… and it’s one
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In a bold cinematic gamble that’s already sparking heated debate, first-time scripted feature director Lotfy Nathan brings the apocryphal Infancy Gospel of Thomas to the screen with The Carpenter’s Son. Starring Nicolas Cage, FKA Twigs, and Noah Jupe, the film reimagines the “missing years” of Jesus’ childhood—not as serene Nativity scenes, but as a tense,
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