“Admissions,” starring Tina Fey and Paul Rudd and directed by Paul Weitz is an intelligent comedy. As Owen Gleiberman from Entertainment Weekly said “There have been so many shrill, dumb, rinky-dink romantic comedies that it’s easy to feel downright grateful when a smart, non-cheesy one comes along.” Fey is an admissions officer at Princeton University, and Rudd is her former college classmate who convinces her that a gifted and unconventional student (played by Nat Wolff) might very well be the baby she put up for adoption 17 years ago. Fey and Rudd are fun to watch, and Lily Tomlin excels as Fey’s estranged hippy mother.
Every spring, high school seniors anxiously await letters of college admission that will affirm and encourage their potential. At Princeton University, admissions officer Portia Nathan (Tina Fey) is a gatekeeper evaluating thousands of applicants. Year in and year out, Portia has lived her life by the book, at work as well as at the home she shares with Princeton professor Mark (Michael Sheen). When Clarence (Wallace Shawn), the Dean of Admissions, announces his impending retirement, the likeliest candidates to succeed him are Portia and her office rival Corinne (Gloria Reuben). For Portia, however, it’s business as usual as she hits the road on her annual recruiting trip.
Now Portia must re-evaluate her personal and professional existences, as she finds herself bending the admissions rules for Jeremiah, putting at risk the future she thought she always wanted – and in the process finding her way to a surprising and exhilarating life and romance she never dreamed of having.
A Focus Features presentation of a Depth of Field production. A Paul Weitz Film. Tina Fey, Paul Rudd. Admission. Michael Sheen, Wallace Shawn, Nat Wolff, Gloria Reuben, and Lily Tomlin. Costume Designer, Aude Bronson-Howard. Music Supervisor, Linda Cohen. Music by Stephen Trask. Casting by Kerry Barden and Paul Schnee. Edited by Joan Sobel, ACE. Production Designer, Sarah Knowles. Director of Photography, Declan Quinn, ASC. Executive Producer, Caroline Baron. Produced by Paul Weitz, Kerry Kohansky-Roberts, Andrew Miano. Based on the novel by Jean Hanff Korelitz. Screenplay by Karen Croner. Directed by Paul Weitz. A Focus Features Release.