Jacob Gentry, who brought us “The Signal” in 2007, delivers a scifi punch to the brain with SYNCHRONICITY, which follows a scientist’s corporately funded experiment to open a worm hole and see what comes through. This sort of irresponsible science is the bedrock of thrillers, but in this case, it also serves as a backdrop for a love story in which scientist Jim falls for the ‘bad girl’ Abby, who may or may not be involved with the CEO funding his work, then goes back in time to warn himself not to fall for her, only to fall further for her himself. It’s a delicate balance, because on the one hand, this is a film that actually slows down enough to explain the concept of jumping parallel timelines to the audience (which is like cotton candy to me), and yet gets hijacked by the love story so much one of the characters actually says ‘this is all about a girl, isn’t it?’ In the end, the film delivers 85% on each of these story-lines but for the most part, that’s okay, because most films these days deliver 100% of garbage.
No where is this more true than in the third act of the film. Without revealing any of the kinks, I’ll just say I was loving this movie until I got completely lost. It felt like the screenwriter (Gentry as well) was throwing in one twist too many and the forward momentum of the film was lost. Honestly I didn’t even know where we were at the end. And yet…. I was basically satisfied. Time travel films are inherently messy. No one will ever completely understand “Primer.” Sometimes everything is tied up in a bow, but usually that comes from a character having an excuse to do that – most recently in Bradley King’s amazing Time Lapse.
Finally, the supporting cast really adds to the film. Michael Ironside plays the corporate sponsor, and the gravitas he brings to the role properly forces scientist Jim to his knees. I wished he had one more turn for his character though, as he felt a bit flat in terms of what he was allowed to do, a sort of generic big bad wallet holder. A.J. Bowen and Scott Poythress play the other two scientists on the project, and their interplay and humor often steal scenes away from Jim, again supporting my notion that Jim needed a bit of a rewrite – I think he is the least consistent character in SYNCHRONICITY.
But with all its flaws, its still a great ride, and one of the most ‘fun’ I’ve seen at Fantasia so far this year. Gentry’s style sets the film apart and the recipe of equal parts science fiction and romance make for a tasty genre treat.
SYNCHRONICITY made its world premiere at Fantasia International Film Festival and will screen next on Thursday the 30th. This is another film I would be shocked if it didn’t play Fantastic Fest in Austin in September.