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    You are at:Home»Entertainment»Music»Featured Music»Richard Linklater’s Long-Time Collaborator Composer Graham Reynolds Crafts HIT MAN’s Sublime Musical Palette
    Featured Music

    Richard Linklater’s Long-Time Collaborator Composer Graham Reynolds Crafts HIT MAN’s Sublime Musical Palette

    christineBy christineJuly 23, 2024Updated:July 24, 2024No Comments2 Mins Read
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    Interview by Paul Salfen

    Called “the quintessential modern composer” by the London Independent, Austin, Texas based composer-bandleader-improviser Graham Reynolds records and performs music for film, theater, dance, television, rock clubs, and concert halls with collaborators across a multitude of disciplines. He recently scored Richard Linklater’s Hit Man (Netflix) with Glen Powell and Adria Arjona, Happy Jail (Netflix), Stop Hitting Yourself (Lincoln Center Theater), Out of Her Mind (BBC), POE / A Tale of Madness (Ballet Austin), and a multi-year commission from Ballroom Marfa, The Marfa Triptych, culminating in his Creative Capital Award winning project Pancho Villa from a Safe Distance, a bilingual cross-border opera created with librettists Lagartijas Tiradas al Sol (Mexico City) and director Shawn Sides (Rude Mechs) and staged in over a dozen cities in North America.

    As Artistic Director of the non-profit Golden Hornet, Graham spearheads efforts which draw on both the collaborative spirit of rock bands and the composer-led nature of classical music, with a focus on commissioning new music, fostering young and emerging composers, and presenting adventurous works in non-traditional settings. These endeavors include the The Sound of Science alongside Kronos Quartet’s longtime cellist Jeffrey Zeigler, Insectum with Zeigler and drummer/percussionist Susie Ibarra, and MXTX: A Cross-Border Exchange; a multi-faceted project comprised of a live performance, album, remixes, and open-source audio sample library involving more than 40 artists from Texas and Mexico.

    Reynolds leads the jazz-based but far reaching Golden Arm Trio, is a company member with the internationally acclaimed Rude Mechs theater collective, and resident composer with Salvage Vanguard Theater and Forklift Danceworks. His accolades include a Creative Capital Award, an Independent Music Award, two Frederick R. Loewe Music Theatre Awards, ten Austin Critics Table Awards, the John Bustin Award, multiple Austin Chronicle ‘Best Composer’ wins, and a B. Iden Payne Award. MARFA: A Country & Western Big Band Suite (Fall 2019) broke into the top 100 on the NACC radio charts along with a track premiere in Billboard. In 2020, Graham signed with London-based record label Fire Records and released his original score for Alfred Hitchcock’s silent classic, The Lodger. His most recent release with Fire, Music for Prophet (Parts 1-4), dropped earlier this year, offering a glimpse into a forthcoming full-length solo album slated for release in 2025.

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    Graham Reynolds Interview Hit Man Film 2024 Composer Richard Linklater
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    October 22, 20260By christine

    When the Fire Answered Back: Mena Massoud and Elijah Alexander on the Set of Daniel and the Fiery Furnace

    1 Min Read
    We could really use a movie like this right about now. That was the first thing Paul Salfen told Mena Massoud and Elijah Alexander when they sat down to talk about Daniel and the Fiery Furnace. The biblical epic, written and directed by brothers Matthew and Daniel Kooman and released in theaters September 18 through

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    October 22, 20260By christine

    When God Entered the Set: The Kooman Brothers on the 12-Minute Take That Defined Daniel and the Fiery Furnace

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    For the Kooman Brothers, the set of Daniel and the Fiery Furnace felt like family—even with the challenges that come after twenty years of filmmaking. In this exclusive conversation with Paul Salfen, Matthew and Daniel Kooman open up about the rare twelve-minute takes of verbatim Scripture between Mena Massoud and Elijah Alexander, the moment the

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    October 21, 20260By christine

    The Night the Earth Spoke: Julien Benichou on Conducting Robert Redford’s Final Narration

    9 Mins Read
    Four years after he led the Dallas Symphony Orchestra and its brand-new Children’s Chorus through The Way of the Rain – Hope for Earth at the Meyerson, conductor Julien Benichou returns to Dallas for the Texas premiere of the film that preserved that night. In conversation with Paul Salfen, the French-American maestro—recently named a Knight

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    October 21, 20260By christine

    Before the Beginning: Jerry Jenkins and Mark Yarbrough Imagine the Battle for Heaven and Earth

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