Close Menu
    Facebook X (Twitter) Instagram
    Trending
    • We’ve Given You Enough: Paul Greengrass and Andrew Garfield on Why THE UPRISING Feels Like Now
    • Kellen Goff Is Done Whispering: Carnage, Freddy, and the Hail Mary That Built a Monster Voice
    • She Quit the Cubicle. Then She Wrote the Serial Killer Husband
    • The Only Black Girl on the Ghost Tour: How a Brunch Joke Became Tiffany D. Jackson’s Spine-Tingling Savannah Mystery GHOST IN THE NIGHT
    • THE END OF OAK STREET Movie Minute Review
    • Still Searching at 85: Motown Legend Martha Reeves Climbs the Charts and Proves Great Art Has No Expiration Date
    • MUSE at Dos Equis Pavilion August 14, 2026 (photos)
    • She Signed On a Year Before Willem Dafoe — Vic Carmen Sonne on the Nerve and Pride of Facing Her Idol in THE BIRTHDAY PARTY
    AMFM Magazine.tv
    • Features
    • Movies
      1. Movies – Indies
      2. Movie Reviews
      3. Movies- Wide Release
      Featured
      July 25, 20260By christine

      The Odyssey Movie Minute Review

      2 Mins Read
      Read More
      Recent
      September 3, 2026

      We’ve Given You Enough: Paul Greengrass and Andrew Garfield on Why THE UPRISING Feels Like Now

      September 3, 2026

      Kellen Goff Is Done Whispering: Carnage, Freddy, and the Hail Mary That Built a Monster Voice

      August 21, 2026

      THE END OF OAK STREET Movie Minute Review

    • Photography
      1. Event Photos
      Featured
      September 1, 20250By christine

      THE WEEKND ‘After Hours Til Dawn Tour’ at Dallas AT&T Stadium August 28, 2025

      1 Min Read
      Read More
      Recent
      August 18, 2026

      MUSE at Dos Equis Pavilion August 14, 2026 (photos)

      April 20, 2026

      ECHO Resounds in Dallas: Cirque du Soleil Returns to the Big Top in Grand Prairie

      September 8, 2025

      Simple Plan’s BIGGER THAN YOU THINK Tour with LoLo, 3OH3, and Bowling For Soup

    • ABOUT US
    • Music
      1. Indies
      2. Majors
      3. Reviews
      Featured
      November 25, 20240By christine

      Asia’s #1 Rock Guitarist Tak Matsumoto Talks New Supergroup TMG Release “Crash Down Love” (Interview)

      4 Mins Read
      Read More
      Recent
      August 20, 2026

      Still Searching at 85: Motown Legend Martha Reeves Climbs the Charts and Proves Great Art Has No Expiration Date

      August 18, 2026

      MUSE at Dos Equis Pavilion August 14, 2026 (photos)

      July 17, 2026

      Shotgun Messiah Legends Zinny Zan & Harry Cody Just Dropped a Bombshell Reunion Album (and It’s Not Nostalgia)

    • The Wire
    • Literarians
    • Movie Minute Reviews
    • AMFM Studios LLC
    AMFM Magazine.tv
    You are at:Home»World News»Movies»Documentary»Directors Natalie Rae and Angela Patton With Life Coach Chad Morris On DAUGHTERS: Forging Connection With Incarcerated Fathers
    Documentary

    Directors Natalie Rae and Angela Patton With Life Coach Chad Morris On DAUGHTERS: Forging Connection With Incarcerated Fathers

    christineBy christineAugust 12, 2024No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email

    Interview by Paul Salfen

    Watch on www.netflix.com/daughters

    A moving portrait of empathy and forgiveness, DAUGHTERS traces an eight-year documentary journey by filmmaker Natalie Rae and social change advocate Angela Patton. The film intimately follows Aubrey, Santana, Raziah, and Ja’Ana as they prepare for a momentous Daddy DaughterDance with their incarcerated fathers. Speaking openly about their aspirations, dreams, and the emotional toll of their fathers’ absence, compounded by the constraints of virtual visits, these girls reveal a profound wisdom and resilience beyond their years. As they navigate heartbreak, anger, and uncertainty, they seize a precious opportunity to forge connections. DAUGHTERS sheds light on the complexities of familial bonds strained by the unforgiving barriers of the criminal justice system and emphasizes that the foundation of community healing lies within the family unit.

    DIRECTORS STATEMENT

    Our film is both personal and universal. It’s an intimate story of four daughters and four fathers, and it’s also a paradigm-shifting look into the long and devastating legacy of the prison-industrial complex on Black communities, and most importantly the ingenuity of Black girls who fight back against it. America has been reckoning with the carceral wound at the center of our country for the last few years. This film narrows the aperture to an immediate suffering: too many families, including children, bear the brunt of their loved ones’ incarceration. They are cut off — stuck behind Plexiglass and struggling to afford costly video calls. Through music, touch and movement, the dance tackles all senses and creates a memory that impacts trauma.

    The film celebrates and encourages us to listen to the ideas of young women and realize the power they have to bring meaningful change in the world. Our collaboration and vision has always centered on the wisdom of the girls. We worked together to ensure that we told the most imaginative, dignifying story possible. Following the fathers’ journey through fatherhood circles in the jail, we aim to humanize these Black men. On the outside, we allow the girl’s worlds to be vivid, complex and raw. These are the sides of Black characters that we don’t often see on screen, and that we desperately need to see more of.

    We wanted the making of the film to mirror the future world we are trying to create with it — one where Black girls have agency, not only over their own lives and relationships, but over their subjectivity. In this way, the film is an experiment in making sure that Black girls have a vitalizing say in shaping their own portrayal, in a world that too often doesn’t see them at all, or does so only with a pitying or vilifying lens. We worked with the girls to create their own magic realism sequences that helped to illustrate their dreams, nightmares and personalities. The girls take us through their challenging circumstances with tenderness and light. They inspire us to look at family wounds and the transformative power of human touch.

    This is not a sad story. This is a love story. It is a healing story about the ways in which those experiencing the worst of our country’s broken systems often have the best of ideas for how to stay human within them until revolution comes.

    ABOUT
    Natalie Rae, Co-Director, Producer
    Natalie Rae is an award-winning director devoting much of her career to women’s rights. Her work has been commissioned by the U.N. and Gates Foundation. She is the recipient of two Cannes Young Lions nominations. Working with artists such as Leon Bridges, H.E.R., Anderson Paak, Rae brings a distinct style and effervescent energy to music videos, commercials, and now her first feature documentary.

    Angela Patton, Co-Director, Executive Producer
    Angela Patton, CEO of Girls For A Change, is committed to advancing opportunities for Black girls. Her TEDWomen talk garnered over one million views and inspired the making of Daughters. As a speaker, author, and co-director, Patton is dedicated to celebrating and sharing the multifaceted experiences of Black girls.

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Angela Patton Chad Morris criminal justice system Family Incarcerated fathers Jailed parents Natalie Rae Netflix Film DAUGHTERS
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleHappie Hoffman
    Next Article Kamryn Smith Talks Role In YO GABBA GABBALAND
    christine

    Related Posts

    Blockbuster Movies

    We’ve Given You Enough: Paul Greengrass and Andrew Garfield on Why THE UPRISING Feels Like Now

    Read More
    Majors

    Kellen Goff Is Done Whispering: Carnage, Freddy, and the Hail Mary That Built a Monster Voice

    Read More
    Movie Minute

    THE END OF OAK STREET Movie Minute Review

    Read More

    Comments are closed.

    SEARCH BY CATEGORY
    • MOVIES
    • Music ICON
    • AUTHORS
    September 3, 2026

    We’ve Given You Enough: Paul Greengrass and Andrew Garfield on Why THE UPRISING Feels Like Now

    September 3, 2026

    Kellen Goff Is Done Whispering: Carnage, Freddy, and the Hail Mary That Built a Monster Voice

    August 4, 2026

    SPIDER-MAN BRAND NEW DAY Movie Minute Review

    August 31, 2026

    She Quit the Cubicle. Then She Wrote the Serial Killer Husband

    August 21, 2026

    The Only Black Girl on the Ghost Tour: How a Brunch Joke Became Tiffany D. Jackson’s Spine-Tingling Savannah Mystery GHOST IN THE NIGHT

    August 4, 2026

    From Tears to Triumph: Vicki Adkins Opens Up About Losing Her Son, Her Husband, and Finding “Good Grief”

    AMFM INSTAGRAM
    Recent Posts
    • We’ve Given You Enough: Paul Greengrass and Andrew Garfield on Why THE UPRISING Feels Like Now
    • Kellen Goff Is Done Whispering: Carnage, Freddy, and the Hail Mary That Built a Monster Voice
    • She Quit the Cubicle. Then She Wrote the Serial Killer Husband
    • The Only Black Girl on the Ghost Tour: How a Brunch Joke Became Tiffany D. Jackson’s Spine-Tingling Savannah Mystery GHOST IN THE NIGHT
    • THE END OF OAK STREET Movie Minute Review
    Archives
    Blockbuster Movies
    September 3, 20260By christine

    We’ve Given You Enough: Paul Greengrass and Andrew Garfield on Why THE UPRISING Feels Like Now

    1 Min Read
    Interview by Paul Salfen, Text by Christine Thompson|AMFM Magazine Paul Salfen sits with writer-director Paul Greengrass and Andrew Garfield as The Uprising heads into theaters nationwide on September 11. Greengrass's first true historical epic — the 1381 Peasants' Revolt, told through a nameless Essex farmer — was built for spectacle. What the pair keep circling

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Read More
    Majors
    September 3, 20260By christine

    Kellen Goff Is Done Whispering: Carnage, Freddy, and the Hail Mary That Built a Monster Voice

    1 Min Read
    AMFM_Kellen_Goff_Feature_Paul_Salfen

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Read More
    Authors
    August 31, 20260By christine

    She Quit the Cubicle. Then She Wrote the Serial Killer Husband

    9 Mins Read
    Lisa Gardner’s first standalone in years is an instant bestseller. In conversation with Paul Salfen, the New Hampshire novelist explains why a young couple would buy a crime scene — and why the truth might make you sorry you asked.   Interview by Paul Salfen · Text by Christine Thompson · AMFM Magazine · August

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Read More
    Authors
    August 21, 20260By christine

    The Only Black Girl on the Ghost Tour: How a Brunch Joke Became Tiffany D. Jackson’s Spine-Tingling Savannah Mystery GHOST IN THE NIGHT

    5 Mins Read
    Tiffany D. Jackson has a gift for turning the most ordinary moments into stories that refuse to let go. The New York Times bestselling author—and 2026 Edgar Award winner for Best Juvenile for her middle-grade debut Blood in the Water—is back with Ghost in the Night, a highly anticipated, atmospheric murder mystery set beneath the

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Read More
    Copyright AMFMSTUDIOS LLC
    • About
    • Privacy
    • Contact
    • Cookie Policy (US)
    Copyright AMFMSTUDIOS LLC
    • About
    • Privacy
    • Contact
    • Cookie Policy (US)

    Type above and press Enter to search. Press Esc to cancel.

    %d