With an estimated $31 million, Focus Features's Downton Abbey topped the weekend box office, beating Bratt Pitt's Ad Astra and Sylvester Stallone's Rambo, giving the studio their largest opening weekend ever. Paul Salfen asks stars Allen Leech and Michelle Dockery about the enduring popularity of the television series turned box office smash. SYNOPSIS: Excitement is
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A SLATE WILL ALSO FEATURE THE WORLD PREMIERE OF ZAK HILDITCH’S RATTLESNAKE, AND PREMIERES FROM ENDERBY ENTERTAINMENT, AND HORROR LEGEND…
Interview by Paul Salfen Now that “Silicon Valley” is nearing its final season, it’s time for Amanda Crew to shine. And shine she does in Richard Bates Jr.’s new wild horror flick Tone-Deaf. Crew goes toe-to-toe with a very scary Robert Patrick and definitely holds her own and then some. After a rousing debut at
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Interview by John Wisniewski John Wisniewski: When did your career in art begin, Ben? Ben Schot: I wanted to go to art school when I was in the final years of secondary school. My art teacher was Ad Braat, a local sculptor who liked my drawings and advised me to enroll in art school. Once
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In Theaters and On Demand NOW Director's Statement: Tone-Deaf is a modern spin on a traditional home invasion horror film, a darkly comedic critique of the bizarre cultural and political climates in the United States, and hopefully a heck of a lot of fun. Whereas my previous films deal with very distinct characters and the
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If you’ve ever been to SXSW or any other major festival that involved going from venue to venue in one…
Interview by Carla Sanchez Taylor (RiPplE PuDdle) There is power in change, without apology or explanation, especially when it is for the purpose of an authentic need for expression. Actress Maya Hawke has a context story that should be acknowledged for the main purpose of creative visualization. You might’ve seen her face as Robin in
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Richard Linklater's adaptation of Maria Semple's novel is one of those great films that you'll want to see more than once. At turns hilarious, dramatic and tragic, it centers around a brilliant architect (Cate Blanchett) who has turned into both a mother and a recluse, who's child (Bee, played by newcomer Emma Nelson) is her
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