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    You are at:Home»Entertainment»Music»Featured Music»Composers Daniel Pemberton and David Schweitzer on Whodunnit THE AFTERPARTY (Season 2)
    Featured Music

    Composers Daniel Pemberton and David Schweitzer on Whodunnit THE AFTERPARTY (Season 2)

    christineBy christineDecember 11, 2023No Comments2 Mins Read
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    SERIES SYNOPSIS: After a murder is discovered at a high school reunion, the attendees try to remember what happened, despite all of them remembering the fateful night differently and the murderer remaining at large.


    About Daniel Pemberton:

    Daniel Pemberton is an Ivor Novello winning and multi-BAFTA nominated composer well known for embracing a wide range of musical mediums – from electronic to orchestral – throughout his work. After more than a decade establishing himself as one of the most inventive and experimental voices in British television – scoring countless Emmy and BAFTA award winning dramas and documentaries such as COMPLICIT, PEEP SHOW, UPSTAIRS DOWNSTAIRS, DESPERATE ROMANTICS, SPACE DIVE, OCCUPATION and HIROSHIMA – Pemberton moved into the world of film with the period supernatural thriller THE AWAKENING (2011).

    His hybrid choral, orchestral and electronic score caught the ear of Ridley Scott who, heavily impressed with the standout work and what he called the composer’s ‘10,000 hours in the garage’ hired the composer to score his feature THE COUNSELOR (2013). He collaborated again with Scott on the director’s first foray into television – THE VATICAN (2014). This work, alongside scores to other features such as BLOOD (2012), IN FEAR (2013) and CUBAN FURY (2014), led him to be named ‘Discovery Of The Year’ at the prestigious World Soundtrack Awards 2014.

    About David Schweitzer:

    David Schweitzer is known for his scores for documentary (9/11: One Day in America, Our Great National Parks, Elizabeth: The Unseen Queen, Four Hours at the Capitol, Wonders of Life), and animation (over 1,000 episodes including work on Charlie & Lola, Angry Birds Toons, The Cat in the Hat and many more), and for his work on dramas such as Emma, The Afterparty (Season 2), Sanditon, Vanity Fair, Victoria, The White Princess and The Crown.

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    Forty years after Magic Touch sat a record 51 weeks at No. 1 on Billboard’s jazz chart, Stanley Jordan is finally releasing “Flight of the Eagle,” his first original in fourteen years and the second single from Feather in the Wind, is out now on African Rose Records. In this exclusive, Paul Salfen catches him

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