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    You are at:Home»Apple TV+»Chasing Stars: Jesse Burgess on the Culinary Frontier of Knife Edge
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    Chasing Stars: Jesse Burgess on the Culinary Frontier of Knife Edge

    christineBy christineSeptember 29, 2025Updated:October 1, 2025No Comments5 Mins Read
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    Interview by Paul Salfen

    In the high-octane world of fine dining, where a single star can redefine a chef’s legacy, Apple TV+’s Knife Edge: Chasing Michelin Stars slices through the mystique of the Michelin Guide with unprecedented access. Hosted by the effervescent Jesse Burgess, a self-professed food obsessive whose infectious enthusiasm lights up the screen, the series trails top chefs across the globe as they chase the culinary world’s most coveted accolade. Over a year-long Michelin Guide season, Knife Edge captures the raw emotion, unrelenting pressure, and sheer artistry of chefs vying to win, maintain, or lose a Michelin star. In an exclusive interview with AMFM Magazine, Burgess dishes on the groundbreaking series, his lifelong love affair with food, and the “Hail Mary” moments that landed him at the helm of this gastronomic odyssey.

    From the moment we begin, Burgess’s energy is palpable. “It’s the coolest job ever,” I say, and he laughs, a knowing glint in his eye. “It could be worse, right?” he quips, his British charm disarming. At 30-something, Burgess is no chef or critic—just “your friend who’s the most into food out of all your friends.” It’s this relatability that makes him the perfect guide for Knife Edge, a series that’s less about the food itself and more about the human stories behind it. “It’s emotional, exciting, spicy, sad, happy, joyous,” he says, describing the rollercoaster of following chefs from zero to one star, or from two to the elusive three. “It’s much more about people than it is about food.”

    The show’s premise is as audacious as it is unprecedented. For the first time in the Michelin Guide’s 125-year history, a documentary crew has been granted behind-the-scenes access to the secretive world of Michelin inspectors and the chefs who live and die by their judgments. “No one’s ever had this kind of access,” Burgess emphasizes. “We have interviews with actual Michelin inspectors—their identities concealed, voices modulated—but they’re debunking myths and pulling back the curtain.” Cameras capture chefs receiving coveted invitations to the Michelin Awards, some breaking down in tears, others sweating through service as they suspect a solo diner might be an inspector. “You see the gritty, raw, authentic stories,” he says. “Chefs will find comfort, solace, and encouragement watching this.”

    Burgess’s own journey to hosting Knife Edge is a story of passion and perseverance. Raised by a mother who worked as cabin crew on private jets for the likes of Jay-Z and Beyoncé, Burgess’s childhood was punctuated by her two-week stints abroad. “When she’d come home, I’d hear her keys in the door and be so excited,” he recalls. “She’d bring back caviar from Dubai, a Danish pastry from Denmark, or shellfish from the Mediterranean. My brother wasn’t interested, but I devoured it all.” Those eclectic flavors sparked an obsession with food and travel that’s defined his career. From creating food-focused travel content for over a decade to landing this Apple TV+ gig, Burgess has leaned into what he calls “enthusiasm-based content.” His advice to aspiring creators? “Authenticity is the most valuable commodity. If you genuinely love something—whether it’s food, motherboards, or trains—your enthusiasm will shine through.”

    But Knife Edge isn’t just about passion; it’s about risk. Burgess recounts a “Hail Mary” moment when he and his creative partner, Will, faced a crossroads during the pandemic. Their food and travel content, once thriving, had lost momentum in a world of TikTok and Instagram Reels. “We said, ‘Do we pack this in, or do we go all in?’” Burgess recalls. They chose the latter, pouring every ounce of time and money into their passion project. “It wasn’t because we hit critical mass—it was the opposite. We just took the leap.” That gamble paid off, transforming their trajectory. Then came the call about Knife Edge. “I didn’t think I had a chance, but I knew I’d love it and could be good at it,” he says. “And now here we are.”

    The series, executive-produced by Gordon Ramsay, owes much to the culinary titan’s vision and clout. “This is Gordon’s idea,” Burgess says, quick to deflect credit. “He’s been trying to make Knife Edge happen for years, and his reputation got us this access.” Working with Ramsay has taught Burgess the value of unapologetic authenticity. “He’s the same on and off camera, which is hard to do,” he notes. “Speaking your mind and thinking about consequences later—that’s Gordon.” While Burgess hasn’t picked up Ramsay’s culinary chops (“I’m not a chef,” he insists), he’s absorbed lessons in staying true to himself.

    For all his food adventures, Burgess maintains a lean frame, a mystery I can’t help but probe. “I eat weirdly,” he admits with a laugh. “I don’t do the conventional three meals a day. I might have one big meal on camera—like a 14-course tasting menu—then not eat again until the next day. It’s like a wild animal.” One standout meal? A 15-course Mexican feast at Chicago’s Korean You Norm. “It was incredible,” he says, eyes lighting up. “Then we went to a bar, came back, and had another ten courses. Debauched, but awesome.”

    As Knife Edge prepares to debut, Burgess is already dreaming of future seasons—perhaps a stop in Texas, where he raves about Austin’s food scene. “It’s one of my favorite foodie cities,” he says. For now, he’s savoring the moment, grateful for the crew, the chefs, and the chance to share their stories. “I don’t forget why I got into this,” he says. “It’s about the love of food and the people who make it.”

    Knife Edge: Chasing Michelin Stars promises to be a feast for the senses and the soul, with Jesse Burgess as its spirited guide. As he navigates the high-stakes world of Michelin glory, one thing is clear: his enthusiasm is as contagious as the dishes he celebrates.

     

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