Browsing: amfm magazine

At 45, the last thing she expected was expecting. AMFM Magazine Managing Editor Paul Salfen sits down with writer, director, and producer Beth Caulfield for an exclusive conversation about CONCEIVABLE, the faith-forward drama inspired by her own true story. A respected minister, wife, and mother of two nearly grown kids sees her next chapter upended

Ben Masters sat in the back of a packed house with a full orchestra and called it peak living. Then he told Paul Salfen what he wants Texas to do with its rivers. AMFM Magazine Managing Editor Paul Salfen talks with the Fin & Fur Films director about Deep in the Heart 2: Texas Rivers,

Adam Egypt Mortimer talks with AMFM Magazine Managing Editor Paul Salfen and Lillian Powell after the Fantastic Fest 2026 world premiere of Pathetic Fallacy — a 35mm psychedelic horror-musical about love, death, and the price of bringing someone back. AMFM_Mortimer_Pathetic_Fallacy_Paul_Salfen

Animal coordinator Andrew Simpson has the job other people invent at ten. Then David Ayer’s Heart of the Beast showed up with Brad Pitt, a combat German Shepherd named Odin, and New Zealand standing in for Alaska. In this AMFM exclusive, Managing Editor Paul Salfen talks to Simpson about the surreal set days, why listening

Animal coordinator Andrew Simpson has the job other people invent at ten and then get told is not a living. Scripts arrive every week. Then David Ayer’s Heart of the Beast landed with Brad Pitt, a combat German Shepherd named Odin, and New Zealand standing in for Alaska — and Simpson called it a no-brainer.

https://www.amfm-magazine.tv/wp-content/uploads/2026/09/Resident-Evil.m4a This is Paul Salfen with your KLAK Movie Minute. In theaters now is Residsent Evil, the big screen reboot of the popular video game adaptation and it's a blast. While Milla Jovovich isn't in this one, director Zach Cregger rebooted it, starring Austin Abrams as Bryan, an organ delivery driver. He gets that dreaded

MŌRIAH is outside a Franklin coffee shop when the neighbor who taught her Logic Pro walks through the shot — mid-sentence, mid-sermon on Nashville generosity. That is the right temperature for the conversation Paul Salfen came to have. She sings Aaron Burns’s Jimmy out of the theater. “Home to Me,” written with her friend and

At Fantastic Fest 2026, Paul Salfen sits down with Queensland writer-director Josh Tanner as Posthumous — his first feature, co-written and produced with his wife Jade van der Lei — world-premieres in the festival’s analog-horror lane. Sophie Lowe’s Zoe comes home on her 30th birthday to a stack of VHS messages her mother recorded before

Fantastic Fest would not be Fantastic Fest without the Adams Family. This year the surprise was The Glorious Dead, the snowbound apocalyptic dark comedy that world-premiered at Fantasia, took its U.S. bow at Alamo South Lamar, and left Austin with a 2027 Shudder pickup — the clan’s fourth with the streamer after Hellbender, Hell Hole,

The inflatable snake floated above the heads of moviegoers at the entrance to the Alamo Drafthouse. The real one had tried to eat them on the river. The morning after the Fantastic Fest premiere of Beware Boiúna, Paul Salfen sat down with Jessica Rothe, Kiana Madeira, and director Mike P. Nelson — the Wrong Turn