Year: 2025

Interview by Paul Salfen The air crackles with electric anticipation at Fantastic Fest 2025, where the blood-soaked, riff-heavy sequel to 2015’s cult classic Deathgasm has just detonated. Deathgasm II: Goremageddon, written and directed by New Zealand’s maestro of metal and gore, Jason Lei Howden, is a splatter-fest that cranks the volume to eleven. The film
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Interview by Paul Salfen The Alamo Drafthouse in Austin buzzed with the electric chaos of Fantastic Fest 2025, a haven for genre lovers and self-proclaimed "crazy people," as writer-director Eduardo Casanova calls them. Casanova, a returning hero after his 2022 Main Competition win with La Pietà, sat down to discuss his latest film, Silencio, a
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Interview by Paul Salfen The air crackled with anticipation at Fantastic Fest 2025, where Brooke H. Cellars unveiled her audacious feature debut, The Cramps: A Period Piece. In an exclusive interview with AMFM Magazine’s Paul Salfen, Cellars peeled back the layers of her wild, genre-bending horror-comedy, revealing a deeply personal story wrapped in the vibrant,
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Interview by Paul Salfen In a world craving whimsy, DreamWorks Animation has sprinkled some feline-fueled magic onto the big screen with Gabby's Dollhouse: The Movie. What began as a 2021 Netflix preschool sensation—created by Traci Paige Johnson and Jennifer Twomey—has unboxed a global phenomenon, blending live-action surprises with an animated dollhouse realm teeming with adorable
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Interview by Paul Salfen The Alamo Drafthouse at Fantastic Fest buzzed with anticipation as the curtain lifted—figuratively, at least—on Haunted Heist, the latest genre-bending comedy-horror flick that's got audiences whispering about ghosts, heists, and heartfelt reunions. Directed by Lil Rel Howery and starring Tiffany Haddish alongside Brett Gelman and Ari Dayan, the film follows four
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Interview by Paul Salfen Kula Shaker, Photo by Ami Jay Kula Shaker has always existed in an alternate reality, a luminous anomaly in the midst of Britpop’s lad-culture swagger. Emerging in the mid-’90s with Sanskrit-laced lyrics, sitar-drenched feedback, and a mystical counter-narrative, they fused British psychedelia with Eastern mysticism in a way that felt less
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