Close Menu
    Facebook X (Twitter) Instagram
    Trending
    • Peter Berg for MOSQUITO BOWL: Throw It Deep
    • Livi Burch: From Tulsa to Eddie’s Attic
    • Michael Johnston on OBSESSION: “Skip the Line at Nikki’s Booth”
    • Cooper Tomlinson OBSESSION – “Don’t Wait for Anybody”
    • Analesa Fisher’s Hail Mary in a Hot Car: The Voice Actor Stacking Night City and Prom Night
    • When the Fire Answered Back: Mena Massoud and Elijah Alexander on the Set of Daniel and the Fiery Furnace
    • When God Entered the Set: The Kooman Brothers on the 12-Minute Take That Defined Daniel and the Fiery Furnace
    • The Night the Earth Spoke: Julien Benichou on Conducting Robert Redford’s Final Narration
    AMFM Magazine.tv
    • Features
    • Movies
      1. Movies – Indies
      2. Movie Reviews
      3. Movies- Wide Release
      Featured
      September 28, 20260By christine

      A Lot Of People Talk To Animals. Not Many People Listen.

      1 Min Read
      Read More
      Recent
      October 29, 2026

      Peter Berg for MOSQUITO BOWL: Throw It Deep

      October 29, 2026

      Livi Burch: From Tulsa to Eddie’s Attic

      October 28, 2026

      Michael Johnston on OBSESSION: “Skip the Line at Nikki’s Booth”

    • Photography
      1. Event Photos
      Featured
      September 1, 20250By christine

      THE WEEKND ‘After Hours Til Dawn Tour’ at Dallas AT&T Stadium August 28, 2025

      1 Min Read
      Read More
      Recent
      October 20, 2026

      SOMBR At American Airlines Center Dallas Texas October 18, 2026

      August 18, 2026

      MUSE at Dos Equis Pavilion August 14, 2026 (photos)

      April 20, 2026

      ECHO Resounds in Dallas: Cirque du Soleil Returns to the Big Top in Grand Prairie

    • ABOUT US
    • Music
      1. Indies
      2. Majors
      3. Reviews
      Featured
      November 25, 20240By christine

      Asia’s #1 Rock Guitarist Tak Matsumoto Talks New Supergroup TMG Release “Crash Down Love” (Interview)

      4 Mins Read
      Read More
      Recent
      October 21, 2026

      The Night the Earth Spoke: Julien Benichou on Conducting Robert Redford’s Final Narration

      October 20, 2026

      SOMBR At American Airlines Center Dallas Texas October 18, 2026

      September 25, 2026

      When You Reach the End, That’s When You Find the Beginning: MŌRIAH on “Home to Me” and Jimmy

    • The Wire
    • Literarians
    • Movie Minute Reviews
    • AMFM Studios LLC
    AMFM Magazine.tv
    You are at:Home»Film-Festivals»Daniel Bernhardt on Reviving ‘Deathstalker’: Practical Monsters, ’80s Vibes and a Sword-Swinging Comeback
    Film-Festivals

    Daniel Bernhardt on Reviving ‘Deathstalker’: Practical Monsters, ’80s Vibes and a Sword-Swinging Comeback

    christineBy christineOctober 5, 2025Updated:January 9, 2026No Comments5 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email

    Interview by Paul Salfen

    In a cinematic landscape dominated by CGI spectacles, Steven Kostanski’s remake of the 1983 sword-and-sorcery cult classic Deathstalker is betting big on old-school grit. Set for a limited theatrical release on Oct. 10 via Shout! Studios, the film stars action veteran Daniel Bernhardt in the titular role, channeling the barbaric heroism of the Roger Corman-produced original while infusing it with fresh gore and practical effects wizardry. Ahead of its world premiere at Fantastic Fest in Austin later this month, Bernhardt spoke with AMFM Magazine about stepping into the boots (and wig) of the legendary warrior, his rigorous prep and why this project feels like a career Hail Mary.

    The plot thrusts viewers into the besieged Kingdom of Abraxeon, where the Dreadites—harbingers of the ancient sorcerer Nekromemnon—wreak havoc. When Deathstalker salvages a cursed amulet from a battlefield littered with the dead, he’s ensnared by dark magic and pursued by grotesque assassins. To survive, he must shatter the curse and confront the encroaching evil. “Death is just the beginning… of great adventure!” teases the official logline, promising a blend of high-fantasy thrills, comedy and horror that’s tailor-made for midnight movie crowds.

    Bernhardt, best known for his high-octane turns in franchises like John Wick and The Matrix Reloaded, couldn’t hide his excitement about leading the charge. “I’m so proud of this movie. To be part of this—it’s ’80s history,” he said, referencing the original film’s enduring B-movie legacy. “We’re remaking this beautiful movie, Deathstalker from the ’80s, and our director did an amazing job. How lucky am I to actually play Deathstalker? When I got the call, I was like, ‘Really? Nobody’s pulling my leg. This is for real.'”

    Kostanski, who wrote and directed the film following a successful Kickstarter campaign that positioned it as a continuation of Corman’s series, brings his effects-heavy pedigree from projects like PG: Psycho Goreman and Frankie Freako. Bernhardt recalled producer Michael Johnston looping him in: “He said, ‘Hey, we’re redoing Deathstalker. Director Steven wants you to play the lead.’ I watched some of his movies and heard about what he’s doing—he’s building the monsters. He calls me up and goes, ‘Hey, Daniel, I want you to fight a monster with two heads.’ It’s going to be real effects, gore. I was like, ‘I’m in.’ I love the ’80s. I’m an ’80s child.”

    The production leaned heavily into practical creatures, with Kostanski often tinkering on set. “Every day he would finish work, go back to the shop, fix up a monster,” Bernhardt said. “He’s still patching something on a monster, putting some glue on it. He is a hands-on director—a bloody legend.” Filmed in Canada, the shoot saw Bernhardt donning a handmade costume complete with tight pants, boots and a flowing wig. “Our wardrobe department was amazing. They put this incredible costume together—all handmade. When I put this on in the morning, there’s no acting. I’m Deathstalker.”

    To embody the ripped rogue, Bernhardt ramped up his regimen. “I’ve done a lot of physical roles back 30 years ago with the Bloodsport movies—I was always in great shape,” he explained. “For this, I wanted to get as big as I can. For three months, I trained crazy, my diet was very clean. The secret was, before every take, I had my weights on set and I would pump for 10 minutes. I’d tell them, ‘Give me a five,’ and I’m pumping, doing push-ups. Then I’d shoot. They put a really nice tan on me—made me look really nice.”

    The cast includes Christina Orjalo, Nina Bergman and Paul Lazenby, with producers like David Bond overseeing the indie effort. For Bernhardt, the role marks a full-circle moment after decades in the stunt and action world. Reflecting on his “Hail Mary” breakthroughs—like replacing Jean-Claude Van Damme in Bloodsport sequels, battling Keanu Reeves in The Matrix Reloaded or joining the John Wick universe—he sees Deathstalker as another pinnacle. “Getting the opportunity to be the star in a movie after 30 years in the business—I hope all our fans will go see it in theaters. It’s a real fun movie, an incredible ride: fun, comedy, action, horror, gore. It has everything.”

    Bernhardt’s advice for aspiring action stars? Perseverance. “Never take no for an answer. How many times I’ve heard ‘no’ in my life—and I go, ‘Absolutely not.’ Never give up. If you have a dream, follow your dream.” His mindset keeps him grounded: “I don’t take no for an answer. I love what I do. I live a good life—I’m honest, I work harder than anybody.”

    As Deathstalker gears up for its Fantastic Fest bow—where Bernhardt is game for some Austin barbecue—the film positions itself as a nostalgic throwback with modern bite. In an era of reboots, this one swings its sword with authenticity, proving that practical magic still has a place in Hollywood’s fantasy realm.

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleFrom Prison Chapel Vows to Reality TV Stardom: Michael and Justine Persaud Dish on Life After Lockup’s Wild Ride
    Next Article Beasts of War: Kiah Roache-Turner’s WWII Tale of Survival and Sharks
    christine

    Related Posts

    Majors

    Peter Berg for MOSQUITO BOWL: Throw It Deep

    Read More
    Movie Reviews

    Livi Burch: From Tulsa to Eddie’s Attic

    Read More
    Majors

    Michael Johnston on OBSESSION: “Skip the Line at Nikki’s Booth”

    Read More

    Comments are closed.

    SEARCH BY CATEGORY
    • MOVIES
    • Music ICON
    • AUTHORS
    October 29, 2026

    Peter Berg for MOSQUITO BOWL: Throw It Deep

    October 28, 2026

    Michael Johnston on OBSESSION: “Skip the Line at Nikki’s Booth”

    October 28, 2026

    Cooper Tomlinson OBSESSION – “Don’t Wait for Anybody”

    October 21, 2026

    Before the Beginning: Jerry Jenkins and Mark Yarbrough Imagine the Battle for Heaven and Earth

    October 19, 2026

    Rebecca, But With Cats

    October 3, 2026

    “The Numbers Were Already There” – Dr. Nathanael Israel-Israel Says NASA Data Corroborates Book of Genesis

    AMFM INSTAGRAM
    Recent Posts
    • Peter Berg for MOSQUITO BOWL: Throw It Deep
    • Livi Burch: From Tulsa to Eddie’s Attic
    • Michael Johnston on OBSESSION: “Skip the Line at Nikki’s Booth”
    • Cooper Tomlinson OBSESSION – “Don’t Wait for Anybody”
    • Analesa Fisher’s Hail Mary in a Hot Car: The Voice Actor Stacking Night City and Prom Night
    Archives
    Majors
    October 29, 20260By christine

    Peter Berg for MOSQUITO BOWL: Throw It Deep

    1 Min Read
    Peter Berg on The Mosquito Bowl, finding unbridled joy between the horrors of Tarawa and Okinawa, writing at Parris Island, why Texas never leaves his soul, and teaming up with Taylor Sheridan in Weatherford for Call of Duty. AMFM_TheMosquitoBowl_PeterBerg_Paul_Salfen

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Read More
    Movie Reviews
    October 29, 20260By christine

    Livi Burch: From Tulsa to Eddie’s Attic

    1 Min Read
    Livi Birch on bringing the faith-and-family hit Tulsa to EKKL, turning ten on set with Lilo & Stitch party hats, graduating to Stranger Things and Prime Video’s Ride or Die with Hannah Waddingham and Bill Nighy, and taking her original song “Bluebird” to Atlanta’s most legendary stage. AMFM_Tulsa_LiviBirch_Paul_Salfen

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Read More
    Majors
    October 28, 20260By christine

    Michael Johnston on OBSESSION: “Skip the Line at Nikki’s Booth”

    1 Min Read
    Michael Johnston on anchoring the $523 million horror phenomenon Obsession, returning to Little Toni’s after rewriting box-office history, taking one small step every day from rural North Carolina to the London Tube, and filming The Mummy: The Book of the Dead. AMFM_Obsession_MichaelJohnston_Paul_Salfen

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Read More
    Majors
    October 28, 20260By christine

    Cooper Tomlinson OBSESSION – “Don’t Wait for Anybody”

    1 Min Read
    Cooper Tomlinson on the $523 million horror phenomenon Obsession, building an indie empire from scratch with Curry Barker, how Tobey Maguire’s Spider-Man turned him toward the camera, and working with Bryce Dallas Howard on Anything But Ghosts. AMFM_Obsession_Paul_Salfen

    Share this:

    • Share on Facebook (Opens in new window) Facebook
    • Share on X (Opens in new window) X
    • Share on Reddit (Opens in new window) Reddit
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Print (Opens in new window) Print
    • Share on Threads (Opens in new window) Threads

    Like this:

    Like Loading…
    Read More
    Copyright AMFMSTUDIOS LLC
    • About
    • Privacy
    • Contact
    • Cookie Policy (US)
    Copyright AMFMSTUDIOS LLC
    • About
    • Privacy
    • Contact
    • Cookie Policy (US)

    Type above and press Enter to search. Press Esc to cancel.

    %d